Ya Gotta Believe! 
Rating:  7/10
Reviewer: Aisoorya Vijayakumar
Reviewer: Aisoorya Vijayakumar
| What | Angels     in the Outfield – a comedy on baseball, faith and hope that runs     close to 1 hr 45 minutes with a surprising PG rating (considering     that in the present day, parents are the ones who need their     children's grudging guidance in understanding the expletives    rampant  in what are deemed to be today's civilized movie    masterpieces).      Produced     by Irby Smith, Joe Roth, and Roger Birnbaum, and released and     distributed by Walt Disney Pictures, the movie was conceived as a     fresh modern-day version of the 1951-classic    of the same name. | 
| Who? | It    stars Joseph Gordon-Levitt, Danny Glover, Christopher Lloyd,    Brenda Fricker, Tony Danza,    Matthew McConaughey, and many others.     Carney Lansford, a former baseball player (California Angels,     1978-1980), decided to try his hand at a different game altogether     when he starred as Kit "Hit or Die" Kesey in this movie.         The    movie was directed by William Dear, best known for his    not-just-run-of-the-mill films, Harry    and the Hendersons,    Wild    America,    and If    Looks Could Kill.    Dear was lent help by Randy Edelman who scored the music, and    Matthew Leonetti who wielded the camera. Dorothy     Kingsley, George Wells, and Holly Goldberg penned the screenplay ,     leaning on the original 1951-script and screenplay by Dorothy     Kingsley, George Wells, and Richard Conlin, for support.      | 
| When? | Released    on July 15, 1994. | 
| How    did the movie fare? | Rotten    Tomatoes    gave this movie a 40 % rating on its tomatometer.     Despite the movie facing an identity crisis battle with some     critics crushing the moviemakers, calling the movie a childish     downright waste-of-time as in the case of Reel    Reviews,    cynicism could not really hold this movie back from winning the    hearts    of many.         | 
| Did    we like it? | At     some points, a doubtful not-so-loud 'Yes' but at many, a     resounding 'Of course!' In order to look at the movie objectively,     one should really grasp what they try to tell us at the end of it    all  – “ya gotta believe” – may be not in Omnipotent    Divinity, but in  oneself! Because, as the chief angel in the movie    says, when it  really matters, no angel helps you out and    “Championships have to be  won on your own. It's a rule.”       Let's    dissect the movie to decide if it would be a worthwhile watch.      Fire    (the plot and theme):     The movie lies on a very unassuming frame with no intrigue     what-so-ever. The plot, as such, is no mighty task to untangle and     revolves around Roger and JP, sheltered in a foster home. His     father's sarcastic and casual remark that they would be 'family     again' when the California Angels win the baseball pennant seeds     colorful hopes in Roger's heart, who fervently prays for heavenly     intervention in the scheme of things. On hearing his plea, a team    of  angels led by Al, descend to diminish the angst from the boy's    mind.  The angels weed out the insecurities and indifferences that    the  baseball team seems to be pregnant with and pave the way for    them to  climb to the top of the rankings. Do the angels go on to    win a  momentous victory in the yearly tournament and make Roger’s    prayers  come true?. At the risk of sounding very far-fetched, the    plot talks  about a series of monumental events that change the    life of a whole  team, all in answer to a child's prayer. With the    characteristic  flaws that any happily-ever-after script and    screenplay would  possess, this one too plays right into the hands    of critics to claim  that the storyline leaves much to be desired.      Water    (characterization and narration):     The transformation of a grumpy old baseball team manager to a     tender 'grandpa'ish man who plays with the neighborhood kids is a     lifetime journey, beautifully brought to life in the character of     George Knox. But the integrity thrust on the actors gets more than     what you can digest beyond a point and one has only a    caustic-tongued  snobbish commentator for company. The villainy in    the latter comes  almost as a breath of fresh air when one gets    suffocated  being  amidst a bunch of do-gooders. The movie's pace    is wonderful, neither  tauntingly slow, nor dazingly fast.      Air    (actors and performances):     Danny Glover needs to be lauded for his portrayal of a cranky,     ever-swearing, impatient-to-death baseball team manager, George    Knox.  Gordon-Levitt shows precocious maturity with his acting    prowess in  his role of Roger, the boy who makes it all happen.    Fricker and Lloyd  have done their roles to prefection, as the    foster home caretaker  and the chief angel respectively, and have    blended with their roles.  The support cast, though not really    etching themselves in memory,  have done convincingly good jobs.      Earth    (music and camera):     Music deserves a bow in this venture. Never too dreamy, never too     raspy, it soothes pained nerves. Cinematography is exceptionally     good, with the animated angel sequences with human faces    seamlessly  blending into the mainstream action. Graphics have been    paid careful  attention to, as explicit in Al the angel's    maneuvers. Space    (dialogues):     Witty and memorable. The painstakingly tailored dialogues match     the capabilities of a 12-year-old teary-eyed boy, as they do a    funny  morally right angel, not to speak of a grouchy old man who    thrives on  blasphemy and personal insults. Some lines which fail    to fade from  the memory include - “God...     if there is a God... if you're a man or a woman... if you're     listening, I'd really, really like a family. My dad says that will     only happen if the Angels win the pennant. The baseball team, I    mean.  So, maybe you can help them win a little. Amen. Oh, A-woman,    too.“    (Roger Bomman) “You    don't think as a team, you don't play as a team, you don't even    LOSE as a team!” (George    Knox)         “You    can't go through life thinking everyone you meet will one day let    you down.” (George    Knox)         “We're    'AL'ways watching!” (The    movie's finishing lines by Al the Chief Angel) | 
| What's    our verdict? | The     movie steers clear of most of the expected frivolities such as bad     acting, bad background scores, bad dialogues, and bad treatment,     and has elicited only the best from the crew. Given the challenges    in  penning a dreamy script, we think the movie deserves a 7    on 10    rating, So,     given! The movie doesn't try to wear a preachy cloak and make us     all believers at one go. But, as JP says, “it could happen!”      | 
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